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I’m very pleased to announce the upcoming publication of my new book, Collisions: A Physicist’s Journey from Hiroshima to the Death of the Dinosaurs, which will be released by W. W. Norton on June 10. It’s a biography of Luis W. Alvarez, the Nobel Prize-winning physicist who worked on the Manhattan Project, witnessed the bombing of Hiroshima, investigated the Kennedy assassination, searched for undiscovered chambers in the pyramids, and collaborated with his son to demonstrate that the extinction event that killed the dinosaurs was caused by an asteroid strike. Since I’m no longer active on social media, I’d be grateful if you’d consider spreading the word. For more information, you can visit my new author site at www.nevalalee.com. Thanks as always for your readership and support—I hope to have more updates soon!

In the ancient days there went three men upon pilgrimage; one was a priest, and one was a virtuous person, and the third was an old rover with his axe…At last one came running, and told them all was lost: that the powers of darkness had besieged the Heavenly Mansions, that Odin was to die, and evil triumph.

“I have been grossly deceived,” cried the virtuous person.

“All is lost now,” said the priest.

“I wonder if it is too late to make it up with the devil?” said the virtuous person.

“Oh, I hope not,” said the priest. “And at any rate we can but try. But what are you doing with your axe?” says he to the rover.

“I am off to die with Odin,” said the rover.

—Robert Louis Stevenson, “Faith, Half Faith and No Faith At All”

People always tell you you’ll get over things (and they’re right) but what do you do while you’re getting over it? The old joke: your wife is buried, you weep on her grave, your friends tell you in a year you’ll forget it, you’ll go out, meet someone else, get married again. “But what’ll I do tonight?”

—Joanna Russ, On Strike Against God

How much of the appeal of mountaineering lies in its simplification of interpersonal relationships, its reduction of friendship to smooth interaction (like war), its substitution of an Other (the mountain, the challenge) for the relationship itself? Behind a mystique of adventure, toughness, footloose vagabondage—all much needed antidotes to our culture’s built-in comfort and convenience—may lie a kind of adolescent refusal to take seriously aging, the fragility of others, interpersonal responsibility, weakness of all kinds, the slow and unspectacular course of life itself…

A psychological study of top racing drivers concluded that, although well above-average in intelligence, they ranked below average in tolerance of others’ emotional needs. I suspect the same is true of top climbers. They can be deeply moved, in fact maudlin; but only for worthy martyred ex-comrades. A certain coldness, strikingly similar in tone, emerges from the writings of Buhl, John Harlin, Bonatti, Bonington, and Haston: the coldness of competence. Perhaps this is what extreme climbing is about: to get to a point where, in Haston’s words, “If anything goes wrong it will be a fight to the end. If your training is good enough, survival is there; if not nature claims its forfeit.”

—David Roberts, Moments of Doubt

I’m very excited to announce that I’ll be giving a two-part online talk on the life and work of Buckminster Fuller in partnership with the 92nd Street Y on May 13 and 20. It’s hosted through Roundtable, their virtual education platform, so anyone can attend. I expect that it will be the most comprehensive talk that I’ll ever give on Fuller—I plan to cover every important episode from my biography Inventor of the Future—and I’m hoping to attract a receptive audience. If you have a chance, I’d appreciate it very much if you could spread the word—and I hope to see some of you there!

It’s hard to believe, but the paperback edition of Inventor of the Future: The Visionary Life of Buckminster Fuller is finally in stores today. As far as I’m concerned, this is the definitive version of this biography—it incorporates a number of small fixes and revisions—and it marks the culmination of a journey that started more than five years ago. It also feels like a milestone in an eventful writing year that has included a couple of pieces in the New York Times Book Review, an interview with the historian Richard Rhodes on Christopher Nolan’s Oppenheimer for The Atlantic online, and the usual bits and bobs elsewhere. Most of all, I’ve been busy with my upcoming biography of the Nobel Prize-winning physicist Luis W. Alvarez, which is scheduled to be published by W.W. Norton sometime in 2025. (Oppenheimer fans with sharp eyes and good memories will recall Alvarez as the youthful scientist in Lawrence’s lab, played by Alex Wolff, who shows Oppenheimer the news article announcing that the atom has been split. And believe me, he went on to do a hell of a lot more. I can’t wait to tell you about it.)

By any measure, I had a pretty productive year as a writer. My book Inventor of the Future: The Visionary Life of Buckminster Fuller was released after more than three years of work, and the reception so far has been very encouraging—it was named a New York Times Book Review Editors’ Choice, an Economist best book of the year, and, wildest of all, one of Esquire‘s fifty best biographies of all time. (My own vote would go to David Thomson’s Rosebud, his fantastically provocative biography of Orson Welles.) On the nonfiction front, I rounded out the year with pieces in Slate (on the misleading claim that Fuller somehow anticipated the principles of cryptocurrency) and the New York Times (on the remarkable British writer R.C. Sherriff and his wonderful novel The Hopkins Manuscript). Best of all, the latest issue of Analog features my 36,000-word novella “The Elephant Maker,” a revised and updated version of an unpublished novel that I started writing in my twenties. Seeing it in print, along with Inventor of the Future, feels like the end of an era for me, and I’m not sure what the next chapter will bring. But once I know, you’ll hear about it here first.

After three years of work—and more than a few twists and turns—my latest book, Inventor of the Future: The Visionary Life of Buckminster Fuller, is finally here. I think it’s the best thing that I’ve ever done, or at least the one book that I’m proudest to have written. After last week’s writeup in The Economist, a nice review ran this morning in the New York Times, which is a dream come true, and you can check out excerpts today at Fast Company and Slate. (At least one more should be running this weekend in The Daily Beast.) If you want to hear more about it from me, I’m doing a virtual event today sponsored by the Buckminster Fuller Institute, and on Saturday August 13, I’ll be holding a discussion at the Oak Park Public Library with Sarah Holian of the Frank Lloyd Wright Trust, which will be also be available to view online. There’s a lot more to say here, and I expect to keep talking about Fuller for the rest of my life, but for now, I’m just delighted and relieved to see it out in the world at last.

Two months ago, I was browsing Reddit when I stumbled across a post that said: “TIL that the current American Flag design originated as a school project from Robert G Heft, who received a B- for lack of originality, yet was promised an A if he successfully got it selected as the national flag. The design was later chosen by President Eisenhower for the national flag of the US.” After I read the submission, which received more than 21,000 upvotes, I was skeptical enough of the story to dig deeper. The result is my article “False Flag,” which appeared today in Slate. I won’t spoil it here, but rest assured that it’s a wild ride, complete with excursions into newspaper archives, government documents, and the world of vexillology, or flag studies. It’s probably my most surprising discovery in a lifetime of looking into unlikely subjects, and I have a hunch that there might be even more to come. I hope you’ll check it out.

I realize that I’m well overdue for an update on my new book, Inventor of the Future: The Visionary Life of Buckminster Fuller, which is scheduled to be published by Dey Street Books / HarperCollins on August 2. Yesterday, I delivered my revisions to the copy edit, so I’ve essentially reached the end of a process that has lasted three long and challenging years. The result, I think, is the best thing I’ve ever done. It’s a big book—over six hundred pages including the back matter and index—but Fuller more than justifies it, and I hope that it will appeal to both his existing admirers and readers who are encountering him for the first time. (Even if you’re an obsessive Fuller fan, I can guarantee that there’s a lot here that you haven’t seen before.) I’m also delighted by the cover, which features a remarkable portrait of Fuller by Richard Avedon that has rarely been reproduced elsewhere. Obviously, I’ll have a lot more to say about this over the next few months, so check back soon for more!