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‘Les Dents du Singe,’ ‘The Monkey’s Teeth’ film and animation
ChatAnimationCultural historyfilmLes Dents du SingeThe Monkey's Teeth
This is credited as the debut film/animation by director Rene Laloux. Although we see Tick-Tock (Tic-Tac) (1957), and Les Achalunés (1958) dated earlier. (https://en.wikipedia.org/wiki/René_Laloux).He later went to produce the films, Fantastic Planet (1973), Time Master (1982) and Gandahar (1987). Many sources mention Felix Guatari as having a hand in the writing of the script, or a connection […]
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This is credited as the debut film/animation by director Rene Laloux. Although we see Tick-Tock (Tic-Tac) (1957), and Les Achalunés (1958) dated earlier. (https://en.wikipedia.org/wiki/René_Laloux).
He later went to produce the films, Fantastic Planet (1973), Time Master (1982) and Gandahar (1987).

Many sources mention Felix Guatari as having a hand in the writing of the script, or a connection with the hospital.
This all seems a little too ‘neat” for me. It’d be nice to be wrong, though.

The story-line is that 1960, a group of inmates at a French asylum were encouraged to work together and come up with a short script/ideas for a film and/or animation.
The narration at the beginning tells us that the people in the asylum were there because of their loneliness, isolation.
That is the telling detail: and so to get them to work together, collaborate, produce a joint work.

– I have resisted installing Chrome so far, and so cannot get past ‘error 153’ on Youtube links. This prevents me from giving a clear link.
If you do want to follow the film, I suggest you try:

Good luck.

http://michael9murray.wordpress.com/?p=14325
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Bridge
ChatPoetrywritingcreative writingSteam trainschildhood
BRIDGE Almost dark and as near as we dare goto the terrible onward of thundering machinery.Kneeling on the near slope black with creosote, burnt brush, with the monster coming on and on, panic rising. We held it; it thumped in our throats to get out, run; held it as the tonnage bellowed past with endless […]
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BRIDGE

Almost dark and as near as we dare go
to the terrible onward of thundering machinery.
Kneeling on the near slope black with creosote,
burnt brush, with the monster coming on and on,
panic rising. We held it; it thumped in our throats
to get out, run;

held it as the tonnage bellowed past
with endless clanking rumble of truck on truck.
The men in the cab stoking, wrestling with switches, levers.
And from this night-terror near-sentient machinery,
shot smoke, fire, transmuting to sparks
cascading down its spine.

One landed nearby; did not acknowledge us,
landing as if by supernatural agency —
a silver ducat from another  world’s treasury.
I watched till it assumed a body fit for our world;
but even then this least of gifts scorched my fingers.

©All material copyright, cannot be copied, nor any part used in any way without permission.
Michael Murray 2026.

http://michael9murray.wordpress.com/?p=14297
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Space Fillers
Chat
We were watching a tv series the other night, where one crucial scene involved an approach to the UK Prime Minister. He was spoken of, and treated as a hallowed figure, and… it just doesn’t work now.Of course, the media present the PM as a sole figure, decision-maker par excellence, Great Leader. – No mention […]
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We were watching a tv series the other night, where one crucial scene involved an approach to the UK Prime Minister. He was spoken of, and treated as a hallowed figure, and… it just doesn’t work now.
Of course, the media present the PM as a sole figure, decision-maker par excellence, Great Leader.
– No mention of the Cabinet, the legislative and executive, the real workers who thrash-out decisions, actions, or the under-secretaries whose task is to understand the highly complex issues, and frame the responses.

What changed? Have we grown up, now, is that it?
It was Boris Johnson, that utter… twit.
That he was actually voted in as Prime Minister!
The role has lost all lustre, kudos, specialness. The Figurehead has become a cardboard figure, a joke figure. This is part of the legacy that the present PM Keir Starmer has to deal with to achieve political standing.

It is the same with the USA, that top position has become a mockery of itself now.
It will take a long, long, time to regain any respect.

Other leaders use the term ‘respect’ for fear, repression, coercive power.

But then, that’s going off what media doles out to us of these roles, and the people who inhabit them, which is let’s admit, a pitiful helping of the complexities of real life.
Things are far richer in reality.

http://michael9murray.wordpress.com/?p=14294
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Playing in The Waste Land
ChatfunPoetryT S EliotThe Waste Landwriting
Ides March is a dangerous month, siltingthe blood all Winter battlinglong cold, the scrimped-on heating,for reminders of summerin glorious gardens. Now sittingdown on itself, doffingcoats, mufflers as sun is lighteningwalls, air; flies awake, moths. And promisingnew lambs on the gorse-hilland a spring shower sparkling. But not gasping, clammy, to clutchchest, arm, bannisters, the bangingin temples […]
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Ides

March is a dangerous month, silting
the blood all Winter battling
long cold, the scrimped-on heating,
for reminders of summer
in glorious gardens. Now sitting
down on itself, doffing
coats, mufflers as sun is lightening
walls, air; flies awake, moths. And promising
new lambs on the gorse-hill
and a spring shower sparkling.

But not gasping, clammy, to clutch
chest, arm, bannisters, the banging
in temples that tunes with the ambulance.
Don’t let the children see, you say to Marie,
but she cannot understand your words.

A heap of broken bones
in the stairwell. The Times horoscope read
One must careful these days
and you were not, Fear death
always death, each our own
denouement, and the end of days.

http://michael9murray.wordpress.com/?p=14318
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This Is Not A Murder Mystery tv series
ChatartBelgiumculturefilmRenee MagritteReviewsThis Is Not A Murder Mystery
We have just spent several evenings in the glorious company of the cast of This Is not A Murder Mystery.We’ve thoroughly enjoyed the six-part series. The production values are set very high, with a superb cast who fully inhabit their characters (they may not be the characters of the actual artists, but that is part […]
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We have just spent several evenings in the glorious company of the cast of This Is not A Murder Mystery.
We’ve thoroughly enjoyed the six-part series. The production values are set very high, with a superb cast who fully inhabit their characters (they may not be the characters of the actual artists, but that is part of the subtle shifting of perspectives).

‘directed by Hans Herbots and is based on an original idea by Christophe Dirickx and Matthias Lebeer and written and created by Dirickx and Paul Baeten
https://en.wikipedia.org/wiki/This_Is_Not_a_Murder_Mystery

This is in the form of a classic Agatha Christie English country house murder mystery.
The plot centres around a grand country house, back in the 1930s. There is to be a major Surrealist exhibition, for which several main artists have been invited for a week to prepare and exhibit their works.

We have Salvador Dali, and Gali (played by Spanish actor Iñaki Mur, and Russian actor Regina Bikkinina respectively)
Man Ray partnered with Lee Miller (Frank Bourke and Florence Hall)
Renee Magritte, with later Georgette Magritte (Pierre Gervais, and Mathilde Garnier)
Max Ernst (Mike Hoffman)
There are also Sheila Legge, performance artist (Lauren Versnick), and Nash Leslie (Oscar Louis Högström).

The exhibition invites include Peggy Guggenheim, Nancy Cunard, Picasso, Sigmund Freud.

‘the director Herbots was quoted by Variety as saying that they chose “newcomers instead of established actors” because they did not want “famous faces drawing attention away from the characters…The show is a real ensemble piece, and I thought it was very important to find personalities that match but were also able to create conflict. We managed to get a really interesting ensemble”.
https://en.wikipedia.org/wiki/This_Is_Not_a_Murder_Mystery

As you can see a close-matching continental cast has been chosen – and it is they who give the whole series a sense of expansiveness and creative fervour. Filmed in Belgium (Antwerp, I think) and Ireland, it gives a great appeal.

I am trying not to give any or too many spoilers. But…
there are several murders, each using an image from one of the artists, in turn, beginning with Renee Magritte.
Renee Magritte is the main character throughout, and also the one most on the outside, the others ask Why are you here?and he feels his isolation from the start. He slowly recognises his kinship with the more out-and-out Surrealists.

There are some truly spectacular scenes, images.
If you do get to watch the series, then the penultimate scene, the unmasking of the murderer is truly spectacular, I have not seen a scene so well done. The acting is superb, and the visualisation of such a stunning event is perfect.

I highly recommend the series.

http://michael9murray.wordpress.com/?p=14307
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Time for a bit of fun
ChatFun verseGamingRPG
Ok, gamers, this one is for you. RPG It is a gamer’s moon          you must strategiseroutes past alleyways where sprues from bad intentlay strewn, enemies lurk, and beforeclouds cover the moon. Where are your maidens?           Bring out your dames,bait for bad cards           with […]
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Ok, gamers, this one is for you.

RPG

It is a gamer’s moon
          you must strategise
routes past alleyways
where sprues from bad intent
lay strewn,
enemies lurk,
and before
clouds cover the moon.

Where are your maidens?
           Bring out your dames,
bait for bad cards
           with uncouth names.
But under kirtles,
cloaks,
lurk
phials of troubled stars,
knives the length of dice-roll luck. 

http://michael9murray.wordpress.com/?p=14285
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6th European Seagull Screeching Championship 2026
Chat6th European Gull Screeching Championship 2026Belgiumculture
Who won the 6th European Seagull Screeching Championship 2026? Their official page cannot be found.We can only piece together bits of information from pay-for sites and he dubious social media sites: 16 countries provided contestants, we learn from Instagram, along with vid-snippets.https://www.instagram.com/reel/DXn97VUj99Q/ New York Times has good colour and warm photos,https://www.nytimes.com/video/world/europe/100000010134350/belguim-europe-seagull-competition.html See alsohttps://www.facebook.com/Reuters/videos/contestants-faced-off-in-the-belgian-coastal-town-of-de-panne-on-sunday-at-the-a/997770812823329/ If the […]
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Who won the 6th European Seagull Screeching Championship 2026?

Their official page cannot be found.
We can only piece together bits of information from pay-for sites and he dubious social media sites:

16 countries provided contestants, we learn from Instagram, along with vid-snippets.
https://www.instagram.com/reel/DXn97VUj99Q/

New York Times has good colour and warm photos,
https://www.nytimes.com/video/world/europe/100000010134350/belguim-europe-seagull-competition.html

See also
https://www.facebook.com/Reuters/videos/contestants-faced-off-in-the-belgian-coastal-town-of-de-panne-on-sunday-at-the-a/997770812823329/

If the official information comes through I’ll let you know.

http://michael9murray.wordpress.com/?p=14289
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Never Learn to Type. Book review
ChatBook reviewBooksDame Margaret AnsteeHistoryLatin AmericaUnited Nations
Never Learn to Type, autobiography of Margaret Joan Anstee. Published by John Wiley and Sons, 2004.ISBN 0470854316 It was an important meeting in the UN, ‘Someone needs to take notes’, they decided. ‘Margaret, can you…?’“Sorry. I never learned to type.’ which also meant that she could not use shorthand either.Which meant, crucially, that she remained […]
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Never Learn to Type, autobiography of Margaret Joan Anstee. Published by John Wiley and Sons, 2004.
ISBN 0470854316

It was an important meeting in the UN, ‘Someone needs to take notes’, they decided. ‘Margaret, can you…?’
“Sorry. I never learned to type.’ which also meant that she could not use shorthand either.
Which meant, crucially, that she remained an essential part of the decision-making team.

Margaret Anstee grew up in a tiny village in Essex; no bathroom, and an outside toilet. Village school.
But her educational promise was spotted, and nurtured. She was to go to Cambridge taking French and Spanish.
How could she learn sufficient Spanish in the 1930s, in rural Essex?
In that tiny village were a Gibralterian couple, refugees from Franco.
This was one of many fortuitous meetings.
Another was her Spanish tutor at Cambridge, he had personally known many of the writers of the Generation of ’27, Lorca was just one, Cernuda was a visiting lecturer.

What to do with her First, in the late 1940s? Teaching at Belfast, Queens University. But then she applied to the Foreign Office, and got in, one of the very few women at that time. The interview had some very bizarre aspects, candidates were asked to ‘govern an imaginary island, beset with problems’ and other similar things.
An earlier department head insisted on using a quill pen. Why not.
A later boss turned out to be… Donald Maclean, Soviet agent. He asked her to act up and cover his post one Saturday, as ‘something had come up.’
And so off he went.

To be a woman in the FO you had to be single. The sort of answer she chose was to marry another FO employee. She was determined to carry on her academic work. In the Philippines. The marriage didn’t work, so to earn money to return home she started work with the local United Nations programme. And found she loved it.

Her first solo assignments were in Latin America, first Columbia, then Uruguay and Argentina. and Bolivia. She was later in the middle of Pinochet’s coup.
She’d been through coups before, but Pinochet’s was different. The difference was the barbarity. USA had worked furiously to undermine Allende, pouring money, arms and training to Pinochet’s supporters. The ferocity and destabilising barbarity came from there.

She worked on projects with Haile Selassie, and in Morocco, UAE. She was also part of British Prime Minister Harold Wilson’s first ever Think Tank in 1967/8, a kind of secondment from the UN.

The career ladder was a very difficult climb. She travelled relentlessly. She was on the point of retiring, having climbed to Under-Secretary, and endlessly passed-over or positions on the upper tiers. Why stay on? – and she had a house built for herself on the shores of Lake Titicaca, her first real permanent home – when she was offered a post of great standing.

She became a Dame under the English Honours System, and a Director-General, based in Vienna.

*

She worked under nearly all the United Nations General-Secretaries. Dag Hammarskjöld and U Thant barely register. We come into direct contact with Kurt Waldheim, Javier Perez de Cuellar, Kofi Annan. She had rocky relationships with them, mostly on account of being passed over.
She had worked long and hard with the remains of with her team behind the scenes, using all the diplomacy she could muster to protect people under Pinochet. Her role was questioned in the press and in public, Was she doing nothing? How could she respond, when everything she was doing, and it was a lot, was in secret? Kurt Waldheim should have been more savvy.
This was part of the problem between the official’s world and the project workers.

On another occasion she was one of a small team producing an essential procedural overhaul report. The working groups thought it very beneficial, but the officials did not, it meant changes to the system no matter if they were for the better. It became watered-down and piecemeal, the accumulating problems not faced, nor dealt with.

Her private life became swallowed up in her work. Opportunities for personal romance, security she willingly sacrificed. The work was a huge reward in itself.

This all sounds like hard, continuous graft. It was hard work, but done with that obsessive love that only the committed know.
And she had her fun along the way.
There are many photos in the book: we see her in the more energetic phases of the Bolivian ‘Devil Dance’, or rolling in the dirt to ‘take possession’ of the land to build her house, on the Bolivian shore of Lake Titicaca. Juxtapose those with the photos of her standing next but one to Mikhail Gorbachev at the finale of 1987’s World Congress of Women, in Moscow.

Margaret Joan Anstee, 1926 to 2016

See also

https://en.wikipedia.org/wiki/Margaret_Anstee

http://michael9murray.wordpress.com/?p=14261
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Scottish Common Ridings
ChatcultureHistoryScotlndScots Borders
or, better, Border Scots Common Ridings.No matter how it’s written, they are Under Threat. Expense – insurance, facilities hire, all the little necessities, are becoming far too expensive to finance.The cost of horse owning is now no longer a matter of choice, but one of necessity, the horse must pay its way. https://www.bbc.co.uk/news/articles/c0j67p13z6qo One Ridings’ […]
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or, better, Border Scots Common Ridings.
No matter how it’s written, they are Under Threat.

Expense – insurance, facilities hire, all the little necessities, are becoming far too expensive to finance.
The cost of horse owning is now no longer a matter of choice, but one of necessity, the horse must pay its way.

https://www.bbc.co.uk/news/articles/c0j67p13z6qo

One Ridings’ group has been scouring their region to find someone to take on one of the major roles of the Riding, that of Cornet. But no one was interested.
There are three main roles, that of Cornet, Cornet’s Lass, and Pursuivant.

For more on The Common Ridings of the Scottish Borders see my earlier post:

https://michael9murray.wordpress.com/wp-admin/post.php?post=11177&action=edit
http://michael9murray.wordpress.com/?p=14239
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This is ‘What We Did With Our Time’
Chatbook reviewsBooksFictionHistoryPoetrywriting
My book did not pass its assessment; apparently I copied the ISBN number and bar code onto my copyright page, when it should have just been the number.I ask you! So, here it is, for real this time. What We Did With Our Time It’s here! It’s new! It’s my book. This has taken some […]
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My book did not pass its assessment; apparently I copied the ISBN number and bar code onto my copyright page, when it should have just been the number.
I ask you!

So, here it is, for real this time.

What We Did With Our Time

It’s here! It’s new! It’s my book.

This has taken some time, some patience, and some swearing, but

it’s now here, and available from Lulu.com

This image has an empty alt attribute; its file name is img_4046.jpeg

What is it about?
From my introductory note:

History, for me, that is not about dates, kings, power. Facts.
My take remains that it is about people, the delusions, successes, pretensions, doubts, certainties, loves and failings: messy.
All these are ways of making sense of the times and places people are born into. The attitudes and obsessions of periods are as much a real in this history, as rulings, proclamations. 

So, poems based on events etc, but that filtered through human responses.
How did it all start, this, awakening to the living-business?

First Light 

On the first day it rained –
how can you do anything then? 
Rain is the leveller, mixing
sky and earth into mud element. 

And on the second day the same, 
listlessly the ripening thoughts spoiling, 
cold damp languor stealing-in 
like cloud in a clear sky. 

And on the third the same again. 
This must have been when was made 
the Northern Quarter: always waiting 
never to be called. 

Another three days of this,
helpless behind steamed windows, 

mind in stupor, body in torment; body 
in stupor, mind in torment – 
I walked out then, without a coat, and 
Can you still doubt me? called. 

Didn’t wait for a reply. 

Cover image courtesy of blogger Yolanda Christoffersson.

*

For more, see my Author page on Lulu.com:

https://www.lulu.com/spotlight/wwwlulucomspotlightmichaelmurray/

http://michael9murray.wordpress.com/?p=13485
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