Hi. Hello. I hope you’re keeping safe and well. I’m getting this month’s post out at little earlier than usual (i.e. not the 11th hour),…
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Hi. Hello. I hope you’re keeping safe and well. I’m getting this month’s post out at little earlier than usual (i.e. not the 11th hour), and on a Monday no less, because I’m going to be in NYC the rest of this week for work. Even though this is a little bit of a quick and dirty post, there are still lots of covers for you to peruse and admire. Apologies if I’ve missed anything obvious and/or spectacular. I will try to catch up next month.
The Palm House by Gwendoline Riley; design by Katy Homans; photo by Bill Brandt (NYRB Books / April 2026)Famesick by Lean Dunham; design by Teddy Blanks (I think?); photo by Anna Gaskell (Random House / April 2026)
Hey. It’s almost spring. Hang in there! I took a long-planned week off in March, so this month’s post was somewhat cobbled together around that…
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Hey. It’s almost spring. Hang in there!
I took a long-planned week off in March, so this month’s post was somewhat cobbled together around that trip and somehow we’ve ended up with lots of great covers to show for it! I should take vacation more often! There’s some particularly fun typography, some nice illustration, and some of the usual weirdness. Enjoy!
I had a hell of time trying to remember what this reminded me of, I think it is Jeffery Alan Love‘s illustration for the cover of Wolves by author Simon Ings published by Gollancz way back in 2014.
Coincidentally, the cover of Wolves and other Simon Ings titles from Gollancz were among the ABCD Award winners in 2015, and if you’re interested in reading about this year’s ABCD awards, which took place earlier this month, Vyki Hendy has a write up at SPINE.
Hey. I hope you’re keeping safe and well, especially my friends and colleagues in snowy NYC. Thanks to everyone who helped with images and design…
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Hey. I hope you’re keeping safe and well, especially my friends and colleagues in snowy NYC. Thanks to everyone who helped with images and design credits this month — it’s been a really busy month so I really appreciate it!
Oliver’s own novel, Head of Household, is out from Simon & Schuster in the US this month too. The cover was designed by Christopher Brand, and you can read a conversation between the two about the design process at LitHub.
Favorita by Michelle Steinbeck; translated by Jen Calleja; design by Henry Petrides (Faber & Faber / February 2026)
Well, it’s been a month. I hope you’re all keeping safe and well, especially my friends and publishing colleagues in Minnesota. Stay Strong. The Aquatics…
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Well, it’s been a month. I hope you’re all keeping safe and well, especially my friends and publishing colleagues in Minnesota. Stay Strong.
The Aquatics by Osvalde Lewat, translated by Maren Baudet-Lackner; design by Alban Fischer (Coffee House Press / December 2025)
As If by Magic by Edgard Telles Ribeiro, translated by Kim M Hastings & Margaret A Neves; design by Alban Fischer (Bellevue Literary Press / January 2026)
Yes, starting off the year with two covers designed by Alban, but also two books from nonprofit publishers based in Minneapolis, Coffee House Press and Bellevue Literary Press.
Crux by Gabriel Tallent; design by Jaya Miceli (Riverhead / January 2026)
Happy New Year! I hope you’re keeping safe and well. I just re-read the introduction to my 2024 YA post and it says pretty much…
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Happy New Year! I hope you’re keeping safe and well.
I just re-read the introduction to my 2024 YA post and it says pretty much everything I was going to say about young adult covers this time around too, which is a bit annoying! There are still plenty of great covers this year, but trends sometimes move slowly, and it does make me worry that these posts are getting a little stale and predictable.
As with the previous couple of years, almost all of my 2025 selections are illustrated. Looking at original cover art and discovering new illustrators is definitely one of the joys of collating these post. It does make me wonder though, if the illustrations are thing, should I broaden the scope of the posts to include other categories to freshen things up?
I can see both sides.
YA cover designers and illustrators do not get a lot of attention despite all the cover reveals and special deluxe editions (not to mention book sales). I have been doing YA specific lists because no one else has been.
That said, the lines between categories and age-groups are blurred. I actually had to delete a couple of covers from this post because they were for SFF novels that were not strictly YA. I couldn’t tell from the covers. I only realized when I looked up the details. It happened last year too. Including other age groups would allow me to include illustrated science fiction, fantasy, and romance covers that also tend to get overlooked outside of their fan communities. But it would probably mean a bit less YA.
What to do?
Thanks again for all your support over the past year. I hope your still enjoying the posts, but please let me know if you have thoughts or additional design credits. I’d love to hear from you.
Beasts by Ingvild Bjerkeland, translated by Rosie Hedger; design by John Gall (Levine Querido / April 2025)
Before I realized that Beasts was actually a young adult novel, I included this in my round-up of last year’s adult covers. Now that I know that it’s a book for teens, I think it’s only appropriate to include here too in its proper context. It’s a great cover that stands out in both lists.
You’ve Found Oliver by Dustin Thao; design by Theresa Evangelista; illustration by Zipcy (Dutton BYR / September 2025)
I believe this is third Dustin Thao novel with a cover illustration by Zipcy, although I think the previous two were designed by Kerri Resnick for Wednesday Books.
Illustrationillustrationluci gutierrezmagazinesnew yorkerthe new yorker
The cover of the New Yorker ‘s recent Cartoons & Puzzles issue by Luci Gutiérrez feels like an appropriate post to end the year on…
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The cover of the New Yorker‘s recent Cartoons & Puzzles issue by Luci Gutiérrez feels like an appropriate post to end the year on as I’ve basically been doing anything but work for the last couple of weeks.
Hopefully I will have a YA covers post for you in the next couple of weeks, but until then, Happy New Year!
Some of my favourite covers this year were series designs. I loved the Julio Cortázar Vintage Classics editions with covers illustrated by Stephen Smith, AKA…
Some of my favourite covers this year were series designs. I loved the Julio Cortázar Vintage Classics editions with covers illustrated by Stephen Smith, AKA Neasden Control Centre. I was lucky enough to meet art director Suzanne Dean for coffee when she visited Toronto this summer, which was lovely. Her Haruki Murakami designs for Vintage Classics and Harvill are always a delight too.
The typographic covers for the ‘Penguin Archive’ designed by Jim Stoddart triggered my curiosity. Published in April to celebrate 90 years of Penguin Books, the designs use typography to evoke the different eras of the publisher. You can read more about the series and the design process at Creative Review. But which historic Penguin covers inspired type choices in the first place?
There was some really nice series design from independent publishers this year too. I really liked Luísa Dias‘s covers for Wild Hunt Books’ Northern Weird Project. I wanted to feature them here when the final book of the series, Turbine 34 by Katherine Clements, came out last month, but time was not on my side. Fortunately, Zachary Petit talked to Luísa about the series for PRINT in April.
In Solvej Balle’s On the Calculation of Volume septology a women repeats the same day over and over again, and Matt Dorfman‘s covers for the New Direction editions are a really creative take on loops and repetition. The first two books came out last year and were featured in my October 2024 post so they’re not on this year’s list even though the third book was published in November. There are, however, two covers from a different Danish septology included below.
In terms of trends, Alban Fischer noticed that there have been a lot of close-ups of lips recently, something which I Need A Book Cover also picked up on.
One strand of the ‘trend you’re seeing everywhere’ was paintings of women in various states of repose. There was a lot of elegant ennui and it almost felt like an art school version of well-dressed and distressed covers at times.
Disappoint Me by Nicola Dinan; design by Rachel Ake; art ‘After the Ball’ by Ramon Casas i Carbo (Dial Press / May 2025)What a Time to be Alive by Jenny Mustard; cover art by Shannon Cartier Lucy (Sceptre / April 2025)These Days by Lucy Caldwell; design by Ploy Siripant; art ‘Woman in the Window’, by Alberto Morrocco (SJP Lit / April 2025)Hungerstone by Kat Dunn; design by Alicia Tatone; art ‘The Nightmare’ by Henry Fuseli
Another strand was historical paintings of animals, which fits with the “old-timey animals” covers Patrick Redford wrote about for Defector last year.
I think the success of these covers largely depends on the image selection and the cleverness of the crop. I’m sure we will see more of them going forward, but doing it well is probably harder than it looks.
I don’t have a good name for this next trend, but in my mind I’ve been referring to this as “corner type” because of the way the text seems to turn the corners the cover. I guess what it is really doing is framing the central image. I don’t know if this is new, but I noticed it a lot this year.
Culpability by Bruce Holsinger; design by Rodrigo Corral (Spiegal & Grau / July 2025)The True Happiness Company by Veena Dinavahi; design by Rachel Ake (Random House / May 2025)The Ten Year Affair; by Erin Somers; design by Emily Mahon; cover art by Shannon Cartier Lucy (Simon & Schuster / October 2025)Palaver by Bryan Washington; design by Na Kim; art by Keita Morimoto (Farrar, Straus & Giroux / November 2025)
I mentioned a wave of retro-nostalgic horror and suspense covers back in 2023 (I could’ve sworn it was last year until I checked!), but it feels like designers are still having fun with it as the genre as a whole gets more mainstream attention.
And speaking of nostalgia, I feel like covers inspired by 1980s advertising and airbrush art are suddenly a thing. There are a few examples from 2025, but it might be something we see more of next year as well.
Lastly, I just wanted to say thank you to everyone who supported the blog this year, especially the folks that helped out with cover images, credits, and corrections. I really appreciate you taking the time to reach out, and I’m sorry if you sent me a note and didn’t hear back. I try my best to read and reply to everything, but this is a one man show and sometimes life has other plans.
Unfit by Ariana Harwicz, translated by Jessie Mendez Sayer; design by Erik Carter (New Directions / October 2025)Into the Sun by C. F. Ramuz translated by Olivia Baes &, Emma Ramadan; design by Erik Carter (New Directions / August 2025)
Zone Rouge by Michael Jerome Plunkett; design by Jaya Nicely (Unnamed Press / September 2025)Open Up by Thomas Morris; design by Jaya Nicely (Unnamed Press / April 2025)
This reminded me of the cover of There Is No Place For Us by Brian Goldstone designed by Anna Kochman for Crown, which featured in March’s post. I’m no Barnett Newman, I do like a bold stripe.
Unfit by Ariana Harwicz, translated by Jessie Mendez Sayer; design by Erik Carter (New Directions / October 2025)
Dan Jackson also designed a new cover for the paperback edition of The Employees by Olga Ravn out next month in the UK from Penguin, which weirdly kind of looks like a Joan Wong collage, but could also be part of a dismembered / disembodied limbs on covers trend? I’m struggling to think of too many examples off the top of my head. Alban Fischer‘s cover design for My Dreadful Body by Egana Djabbarova? But that’s not out until next year. I’m sure there are a couple of others out there. I will have a think on it.
I am very late to this one, but the art is fun and it kind of fits with recent trends so I didn’t want to leave it out. Let me know if there is a design credit to add.
Interestingly, Shannon Cartier Lucy’s art was also used on the cover of Worry by Alexandra Tanner designed by Alicia Tatone for Scribner from last year…
I don’t post a lot of picture books here, but seeing how it’s spooky season, I thought I would mention The Slightly Spooky Tale of…
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I don’t post a lot of picture books here, but seeing how it’s spooky season, I thought I would mention The Slightly Spooky Tale of Fox and Mole by Swedish illustrator Cecilia Heikkilä, published by Floris Books, which just landed on my desk at work. It’s an appropriately autumnal and windswept story about a dark and scuffling monster that emerges from the moor after Mole takes his friendship with his neighbour Fox for granted. As you can see below, the illustrations are wonderful and although things get a little scary in the middle, it all works out in the end.
