What allowed occultism to blossom in the United States at the turn of the 20th century? Linotype machines, cheap pulp paper, and newly improved postal networks. Allan Johnson investigates the forgotten history and (still living) world of mail-order magic.
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What allowed occultism to blossom in the United States at the turn of the 20th century? Linotype machines, cheap pulp paper, and newly improved postal networks. Allan Johnson investigates the forgotten history and (still living) world of mail-order magic.
As populations flocked to city centres in the 19th century, church cemeteries began to overflow with the dead. Roger Luckhurst exhumes the history of this period, when anatomists fuelled a body-snatching trade led by “resurrection men” and reformers sought alternatives to the toxic urban graveyards and their pestilent fumes.
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As populations flocked to city centres in the 19th century, church cemeteries began to overflow with the dead. Roger Luckhurst exhumes the history of this period, when anatomists fuelled a body-snatching trade led by “resurrection men” and reformers sought alternatives to the toxic urban graveyards and their pestilent fumes.
In early modern Europe, around the time when lenses began to bring the world (and heavens) into newfound focus, patients started appearing in medical records with a particular ailment: a firm belief that they were made of glass. Tamara Sanderson investigates the source and manifestation of this delusion, and finds a psychological idiom that once carried the weight of what could otherwise not be said.
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In early modern Europe, around the time when lenses began to bring the world (and heavens) into newfound focus, patients started appearing in medical records with a particular ailment: a firm belief that they were made of glass. Tamara Sanderson investigates the source and manifestation of this delusion, and finds a psychological idiom that once carried the weight of what could otherwise not be said.
Does the flâneur, that curiously modern figure who wanders metropolitan streets, have a political consciousness? For Franz Hessel — author of Spazieren in Berlin, “a memorization while strolling” that Walter Benjamin called “thoroughly epic” — the answer seemed to be no. Paul Sullivan explores Hessel’s perambulations through Berlin and the achievements and limitations of his vision.
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Does the flâneur, that curiously modern figure who wanders metropolitan streets, have a political consciousness? For Franz Hessel — author of Spazieren in Berlin, “a memorization while strolling” that Walter Benjamin called “thoroughly epic” — the answer seemed to be no. Paul Sullivan explores Hessel’s perambulations through Berlin and the achievements and limitations of his vision.
Taking dictation, revising manuscripts, typing copies, literary amanuenses often labour for little compensation and even less recognition. Christine Jacobson explores the neglected efforts of women like Theodora Bosanquet, Véra Nabokov, and Valerie Eliot, who — through their work as typists, editors, and champions — had a profound impact on modern literature.
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Taking dictation, revising manuscripts, typing copies, literary amanuenses often labour for little compensation and even less recognition. Christine Jacobson explores the neglected efforts of women like Theodora Bosanquet, Véra Nabokov, and Valerie Eliot, who — through their work as typists, editors, and champions — had a profound impact on modern literature.
Before the attention economy consumed our lives, “pursuit tests” devised by the US military coupled man to machine with the aim of assessing focus under pressure. D. Graham Burnett explores these devices for evaluating aviators, finding a pre-history of the laboratory research that has relentlessly worked to slice and dice the attentional powers of human beings.
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Before the attention economy consumed our lives, “pursuit tests” devised by the US military coupled man to machine with the aim of assessing focus under pressure. D. Graham Burnett explores these devices for evaluating aviators, finding a pre-history of the laboratory research that has relentlessly worked to slice and dice the attentional powers of human beings.
Each January 1st is Public Domain Day, when a new crop of works have their copyrights expire and become free to share and reuse for any purpose. Here's our highlights for 2026.
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Each January 1st is Public Domain Day, when a new crop of works have their copyrights expire and become free to share and reuse for any purpose. Here's our highlights for 2026.
In mid-19th century Italy, two eccentric aristocrats set forth on parallel projects: constructing ostentatious castles in a Moorish Revival style. Iván Moure Pazos tours the psychedelic chambers of Rochetta Mattei, optimised for electrohomeopathic healing, and Castello di Sammezzano, an immersive, orientalist fever dream.
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In mid-19th century Italy, two eccentric aristocrats set forth on parallel projects: constructing ostentatious castles in a Moorish Revival style. Iván Moure Pazos tours the psychedelic chambers of Rochetta Mattei, optimised for electrohomeopathic healing, and Castello di Sammezzano, an immersive, orientalist fever dream.
In the 17th century, emanating from Antwerp, a new genre of artwork came on the scene: paintings of paintings, works populated by a lush array of meta-images. From its origins in picturing private curiosity cabinets to its later use in documenting increasingly public collections, Thea Applebaum Licht charts the course of this alluring aesthetic tradition.
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In the 17th century, emanating from Antwerp, a new genre of artwork came on the scene: paintings of paintings, works populated by a lush array of meta-images. From its origins in picturing private curiosity cabinets to its later use in documenting increasingly public collections, Thea Applebaum Licht charts the course of this alluring aesthetic tradition.
In 1899, Charles Godfrey Leland published Aradia, “the gospel of the witches”, containing a goddess-orientated creation and saviour narrative, purported to descend from an ancient, hermetic tradition of witchcraft in Italy. A. D. Manns explores this text via an enchanting conjecture: that the writer, medium, and witch Roma Lister played a pivotal role in the formation of both Aradia and, therefore, a new form of paganism called Wicca.
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In 1899, Charles Godfrey Leland published Aradia, “the gospel of the witches”, containing a goddess-orientated creation and saviour narrative, purported to descend from an ancient, hermetic tradition of witchcraft in Italy. A. D. Manns explores this text via an enchanting conjecture: that the writer, medium, and witch Roma Lister played a pivotal role in the formation of both Aradia and, therefore, a new form of paganism called Wicca.
Of all the senses cultivated throughout the 19th century, it was the sense of hearing that experienced the most dramatic transformation, as the science of sound underwent rapid advancement. Lucas Thompson delves into a particular genre of popular acoustics primers aimed at children and amateurs alike, which reveal the pedagogical, ludic, and transcendental strivings of Victorian society.
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Of all the senses cultivated throughout the 19th century, it was the sense of hearing that experienced the most dramatic transformation, as the science of sound underwent rapid advancement. Lucas Thompson delves into a particular genre of popular acoustics primers aimed at children and amateurs alike, which reveal the pedagogical, ludic, and transcendental strivings of Victorian society.
Partially banned upon publication and translated into English for the first time this year, *René, or: A Young Man’s Adventures and Experiences* (1783–85) found new readers in the communist era thanks to its critiques of feudalism, capitalism, and the Catholic Church. Dobrota Pucherová introduces us to this hybrid work, which mixes the bildungsroman with the philosophical novel, the romance, the adventure story, the travelogue, the history book, and the orientalist fantasy.
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Partially banned upon publication and translated into English for the first time this year, René, or: A Young Man’s Adventures and Experiences (1783–85) found new readers in the communist era thanks to its critiques of feudalism, capitalism, and the Catholic Church. Dobrota Pucherová introduces us to this hybrid work, which mixes the bildungsroman with the philosophical novel, the romance, the adventure story, the travelogue, the history book, and the orientalist fantasy.
Accused of posing as foreign royalty to lure her young suitor into a bigamous marriage, Mary Carleton was the subject of dozens of pamphlets and broadsides published in the mid-17th century, including by Carleton herself. Investigating the fraudster’s life, Laura Kolb finds a self-fashioning figure who both influenced the emergence of the English novel and serves as a strange precursor to our modern-day fascination with conwomen and counterfeits, like the heiress manqué Anna Delvey.
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Accused of posing as foreign royalty to lure her young suitor into a bigamous marriage, Mary Carleton was the subject of dozens of pamphlets and broadsides published in the mid-17th century, including by Carleton herself. Investigating the fraudster’s life, Laura Kolb finds a self-fashioning figure who both influenced the emergence of the English novel and serves as a strange precursor to our modern-day fascination with conwomen and counterfeits, like the heiress manqué Anna Delvey.
Centuries before photography froze the world into neat frames, scientists, poets, and artists streamed transient images into dark interior spaces with the help of a camera obscura. Julie Park explores the early modern fascination with this quasi-spiritual technology and the magic, melancholy, and dream-like experiences it produced.
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Centuries before photography froze the world into neat frames, scientists, poets, and artists streamed transient images into dark interior spaces with the help of a camera obscura. Julie Park explores the early modern fascination with this quasi-spiritual technology and the magic, melancholy, and dream-like experiences it produced.
Commemorative manuscript featuring illustrations of pageants, costumes, and fireworks, later further illustrated by a separate artist, with floral motifs.
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Commemorative manuscript featuring illustrations of pageants, costumes, and fireworks, later further illustrated by a separate artist, with floral motifs.
As Chinese immigration to California accelerated across the 19th century, the hairstyle known as the queue — a long, braided pony tail — became the subject of white Americans’ fascination, disgust, and legal regulation. Sarah Gold McBride explores why hair served as an index of political subjecthood, and how the queue exposed cracks in American norms regarding gender, economy, and citizenship.
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As Chinese immigration to California accelerated across the 19th century, the hairstyle known as the queue — a long, braided pony tail — became the subject of white Americans’ fascination, disgust, and legal regulation. Sarah Gold McBride explores why hair served as an index of political subjecthood, and how the queue exposed cracks in American norms regarding gender, economy, and citizenship.
In 1853, John Benjamin Dancer achieved a feat of seemingly impossible scale: he shrunk an image to the size of a sharpened pencil tip. Anika Burgess explores the invention of microphotography and its influence on erotic paraphernalia and military communications.
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In 1853, John Benjamin Dancer achieved a feat of seemingly impossible scale: he shrunk an image to the size of a sharpened pencil tip. Anika Burgess explores the invention of microphotography and its influence on erotic paraphernalia and military communications.
In 1840, British architect George Wightwick published a world history of architecture in the Romantic mode, inviting readers to enter a vast garden where Buddhist iconography rubs shoulders with Greek temples and Egyptian pyramids gaze upon Gothic cathedrals. His intended audience? Idle women. Matthew Mullane revisits this visionary but ultimately unpopular text, revealing the legacy of attempts to gatekeep the realms of imagination and fantasy pertaining to the built environment.
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In 1840, British architect George Wightwick published a world history of architecture in the Romantic mode, inviting readers to enter a vast garden where Buddhist iconography rubs shoulders with Greek temples and Egyptian pyramids gaze upon Gothic cathedrals. His intended audience? Idle women. Matthew Mullane revisits this visionary but ultimately unpopular text, revealing the legacy of attempts to gatekeep the realms of imagination and fantasy pertaining to the built environment.
As the story goes, Old Tom Parr was relatively healthy for being 152 until a visit to noxious, polluted London in 1635 cut his long life short. Katherine Harvey investigates the early modern claims surrounding this supercentarian and the fraudulent longevity business that became his namesake in the 19th century.
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As the story goes, Old Tom Parr was relatively healthy for being 152 until a visit to noxious, polluted London in 1635 cut his long life short. Katherine Harvey investigates the early modern claims surrounding this supercentarian and the fraudulent longevity business that became his namesake in the 19th century.
In the 19th century, dyed ostrich feathers were haute couture, adorning the hats and boas of fashionistas on both sides of the Atlantic. Whitney Rakich examines the far-reaching ostrich industry through a peculiar do-it-yourself-style book: Alexander Paul’s The Practical Ostrich Feather Dyer (1888), a text interleaved with richly colored specimens.
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In the 19th century, dyed ostrich feathers were haute couture, adorning the hats and boas of fashionistas on both sides of the Atlantic. Whitney Rakich examines the far-reaching ostrich industry through a peculiar do-it-yourself-style book: Alexander Paul’s The Practical Ostrich Feather Dyer (1888), a text interleaved with richly colored specimens.
Aby Warburg spent his life finding forms that could hold their own against the flow of time. All the while, as Kevin Dann explores, he was churning on the brink of madness with the sense that he himself was changing — into a terrifying animal. What kind of history would a werewolf write?
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Aby Warburg spent his life finding forms that could hold their own against the flow of time. All the while, as Kevin Dann explores, he was churning on the brink of madness with the sense that he himself was changing — into a terrifying animal. What kind of history would a werewolf write?
In 1902, a woman named Mary MacLane from Butte, Montana, became an international sensation after publishing a scandalous journal recording life at the age of 19. Rereading this often-forgotten debut, Hunter Dukes finds a voice that hungers for worldly experience, brims with bisexual longing, and rages against the injustices of youth.
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In 1902, a woman named Mary MacLane from Butte, Montana, became an international sensation after publishing a scandalous journal recording life at the age of 19. Rereading this often-forgotten debut, Hunter Dukes finds a voice that hungers for worldly experience, brims with bisexual longing, and rages against the injustices of youth.
In the early twentieth century, architects turned to a newly discovered past to craft novel visions of the future: the ancient history of Mesopotamia. Eva Miller traces how both the mythology of Babel and reconstructions of stepped-pyramid forms influenced skyscraper design, speculative cinema in the 1910s and 20s, and, above all else, the retrofuturist dreams of Hugh Ferriss, architectural delineator extraordinaire.
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In the early twentieth century, architects turned to a newly discovered past to craft novel visions of the future: the ancient history of Mesopotamia. Eva Miller traces how both the mythology of Babel and reconstructions of stepped-pyramid forms influenced skyscraper design, speculative cinema in the 1910s and 20s, and, above all else, the retrofuturist dreams of Hugh Ferriss, architectural delineator extraordinaire.
Held in Jim Crow–era Nevada on the 4th of July, the 1910 World Heavyweight Championship was slated to be a fight to remember. Moonlighting as a boxing journalist, novelist Jack London cheered on Jim Jeffries — ringside and on the page — as the “Great White Hope", a contender to take back the title from Jack Johnson, the first Black heavyweight champion. Andrew Rihn examines the contradictions of London’s racial rhetoric, which is more complex and convoluted than it may initially appear.
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Held in Jim Crow–era Nevada on the 4th of July, the 1910 World Heavyweight Championship was slated to be a fight to remember. Moonlighting as a boxing journalist, novelist Jack London cheered on Jim Jeffries — ringside and on the page — as the “Great White Hope", a contender to take back the title from Jack Johnson, the first Black heavyweight champion. Andrew Rihn examines the contradictions of London’s racial rhetoric, which is more complex and convoluted than it may initially appear.
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